![]() From day one when we first Skyped, we always wanted the same things for the movie and the same things for the character, Minnie. She and I really have one of those kind of director-actor relationships that I keep worrying I’ll never have again with anybody. How was it working with Marielle Heller? It seems that she transitioned you into the American film world pretty seamlessly. The movie was my first American film, so the fact that two years out from shooting it, the movie’s nominated for an Indie Spirit Award and so am I-it’s quite something. It feels a bit crazy, like I can’t really believe it. You’re in some pretty amazing company with your Indie Spirit Award nomination. ![]() Here, Powley discusses the state of women in film, taking on sequences of heavy nudity in her American debut, working with Skarsgård on complicated character dynamics, and more.įilm Independent Honors Emerging Talent At Spirit Awards Nominees Brunch In Diary, Powley portrays a 15 year old San Francisco-based girl who finds herself in the middle of an artistic and sexual awakening, falling hard for Monroe, the significantly older boyfriend of her own mother, played sympathetically by Alexander Skarsgård. Accruing a win for Best Actress at the Gotham Awards and a BAFTA nom for the Rising Star Award, among a slew of other nominations, Powley’s is a voice that demands to be heard, and is as eloquent and powerful in conversation as on screen. ![]() Searingly truthful in content and dazzlingly imaginative in form, The Diary of a Teenage Girl is a candid and funny gem that deserves to be treasured.With her first American role as Minnie in Marielle Heller’s The Diary of a Teenage Girl, an adaptation of Phoebe Gloeckner’s graphic novel, British actress Bel Powley has exploded onto the scene as one of the most exciting young talents to watch, subsequently booking major roles in some highly-anticipated independent films by the likes of Drake Doremus and Haifaa Al-Mansour. It's an unflinching yet compelling transition that manages to avoid the usual rites-of-passage storytelling clichés. These childlike drawings offer an insight into her turbulent mind and also help to juxtapose the central tussle between her child self and increasingly dominant adult self. While the portrayals are utterly convincing, the film's visual nature forms a fascinating contrast by bringing Minnie's sketches to life around her. If there's justice, the trio should be in the running when the awards season comes around.īoasting powerful performances from its lead stars, wonderfully creative direction and a story that will have you howling with laughter and recoiling with horror, it's a film that really resonates. As her mother and lover, Wiig and Skarsgård are also perfect, forming fascinating dynamics with Minnie that unfold with just the right degree of melodrama. Bel Powley is remarkably assured in a very testing role that frequently strips the character bare - literally and figuratively. The film's only notable flaw comes with the introduction of ineffective subplots that shift the focus away from the central storyline, distracting rather than embellishing the core narrative that hooks us in.Īs an exploration of the insecurities that swamp our adolescence, it's as relevant now regardless of its authentically recreated 1970s setting. Instead, it probes their motivations and allows us to understand (if not condone) the psychological impulses that lead to such behaviour. Marielle Heller's script and direction takes us close to the hearts of the characters, never judging them despite some of the unpleasant and illegal acts that take place.
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